{"id":348,"date":"2018-11-11T15:37:10","date_gmt":"2018-11-11T14:37:10","guid":{"rendered":"https:\/\/sideymyoo.art.pl\/?page_id=348"},"modified":"2026-09-02T20:25:43","modified_gmt":"2026-09-02T18:25:43","slug":"bibliografia-en","status":"publish","type":"page","link":"https:\/\/sideymyoo.art.pl\/?page_id=348&lang=en","title":{"rendered":"Bibliography"},"content":{"rendered":"<ol>\n<li><em>Mazur\u2019s theory of qualitative information on the ground of aesthetics<\/em>, in: \u201eRuch Filozoficzny\u201d, t. LIV, nr 1, 1997. [pp. 57-64]<\/li>\n<li><em><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2026\/06\/Sidey-Myoo-Michal-Ostrowicki_Ingardens-Concept-of-the-Construction-of-the-Work-of-Art-on-the-Gro-unds-of-System-Analysis.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Ingardens Concept of the Construction of the Work of Art on the Grounds of System Analysis (opens in a new tab)\">Ingardens Concept of the Construction of the Work of Art on the Grounds of System Analysis<\/a><\/em>, in: \u201eReports on Philosophy\u201d, nr 16-17, Uniwersytet Jagiello\u0144ski, Krak\u00f3w 1997, pp. 63-69.<\/li>\n<li><em><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2026\/06\/Sidey-Myoo-Michal-Ostrowicki_Application-of-Systems-Theory-in-Aesthetics.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Application of Systems Theory in Aesthetics<\/a><\/em>, w \u201eReports on Philosophy \u2013 Reconsidering Aesthetics\u201d, Wilkoszewska (ed.), Uniwersytet Jagiello\u0144ski, nr 19, Krak\u00f3w 1999, pp. 193-209.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2018\/10\/Sidey-Myoo_Propaganda-of-the-Turn-of-Centuries.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Propaganda of the Turn of Centuries<\/em><\/a>, in: \u201eThe Great Book o Aesthetics\u201d, The 15<sup>th\u00a0<\/sup>International Congress of Aesthetic, Japan 2001<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2018\/10\/Sidey-Myoo_Ontoelectronics.An-Introduction.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Ontoelectronics. An Introduction<\/em><\/a>, in: Proceedings of XVII International Aesthetics Congress \u201eAesthetics Bridging Cultures\u201d, International Association for Aesthetics, Ankara 2007.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2018\/10\/Sidey-Myoo_From_the_Image_of_a_Person_to_Its_Electronic_Incarnation..pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>From the Image of a Person to Its Electronic Incarnation<\/em><\/a>, in: Proceedings of ISEA 2008, The 14th International Symposium on Electronic Art ISEA 2008, pp. 359-360.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2018\/10\/Sidey-Myoo_The-Electronically-Incarnated-Human.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Electronically Incarnated Human<\/em><\/a>, in: \u201eVirtual Art \/ Virtual Domains of Art &#8211; Art Inquiry&#8221;, Vol. 10, \u0141\u00f3dzkie Towarzystwo Naukowe, \u0141\u00f3d\u017a 2008, pp. 187-200.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2018\/10\/Sidey-Myoo_The_Networked_Mind_Reprogramming_the_Human_Being.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Networked Mind Reprogramming the Human Being<\/em><\/a>, in:\u00a0A.\u00a0Porczak (ed.), \u201e<span class=\"st\">Interactive media arts<\/span>\u201d, The Jan Matejko Academy of Fine Arts of Krakow, Krak\u00f3w 2009, pp. 57-68.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2018\/10\/Sidey-Myoo_Immersive-Nature-of-Art.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Immersive Nature of Art<\/em><\/a>, in: \u201eDialogue and Universalism\u201d, P. Bo\u0142tu\u0107 (ed.), Vol. XIX, No. 1-2\/2009, pp. 129-141.<\/li>\n<li><a href=\"http:\/\/docs.lib.purdue.edu\/cgi\/viewcontent.cgi?article=1530&amp;context=clcweb\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Metaphysics of Electronic Being<\/em><\/a>, in: \u201cCLCWeb: Comparative Literature and Culture\u201d, Purdue\u00a0University Press, vol. 12. less. 3, West Lafayette, USA 2010.<\/li>\n<li><a href=\"http:\/\/c.ymcdn.com\/sites\/www.apaonline.org\/resource\/collection\/EADE8D52-8D02-4136-9A2A-729368501E43\/V12n2Computers.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Philosophy of the Web<\/em><\/a>, in: \u201cThe American Philosophical Association <strong>\u2013 <\/strong>APA Newsletters\u201d, University of Delaware, Fall 2013 Volume 12, Number 2, pp. 21-25.<\/li>\n<li><em><a href=\"https:\/\/kokazone.wixsite.com\/cyberempathy\/issue-9\">The Telematic Art: from the Image of Water lilies to Dipping the Hand into the Electronic Pond\u2019 Realis<\/a><\/em> w \u201cCyberEmpathy \u2013 Visual and Media Studies Academic Journal, (Cyber Art)\u201d, Institute of Digital Art and Visual Communication, University of Information Technology and Management, Rzesz\u00f3w, Poland oraz STUDIO 3, Academy of Fine Arts in Krakow, Poland, no. 9, 2014\/15.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2018\/11\/Sidey-Myoo_The-Aesthetics-of-Electronic-Worlds.pdf\"><em>The Aesthetics of Electronic Worlds<\/em><\/a>, in: Krystyna Wilkoszewska (ed.), <em>Aesthetic in Action<\/em>, International Yearbook of Aesthetics, International Association for Aesthetics, Volume 18, 2014, pp. 235-245.<\/li>\n<li><a href=\"https:\/\/issuu.com\/cyberempathy\/docs\/sidey_myoo_-the_cyber_aesthetics...\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Cyberaesthetics\u2026 And Much More<\/em><\/a>, in: \u201cCyberEmpathy \u2013 Visual and Media Studies Academic Journal, (Cyber Art)\u201d, Visual Communication and New Media in Art, Science, Humanities, Design and Technology, ISSUE 10\/2015.<\/li>\n<li><a href=\"https:\/\/www.google.pl\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=1&amp;ved=0ahUKEwjOtJO-v9fZAhUNU1AKHY3yDTgQFggxMAA&amp;url=http%3A%2F%2Fcejsh.icm.edu.pl%2Fcejsh%2Felement%2Fbwmeta1.element.desklight-8d82ce70-7b1d-4ea6-9b57-a63107101a97%2Fc%2FSidey_Myoo.pdf&amp;usg=AOvVaw0wjDrLOfoQ2XQikwOYTRki\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Art absorbed by the Web<\/em><\/a>, in: \u201cArt Inquiry \u2013 Artistic Turns\u201d, Volume XVII (XXVI), \u0141\u00f3dzkie Towarzystwo Naukowe, \u0141od\u017a 2015, pp. 115-127.<\/li>\n<li><a href=\"http:\/\/ltn.lodz.pl\/images\/AI\/2017\/ai%2019%202017_full.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Las Meninas \u2013 Interpretation Narratives Throughout Centuries<\/em><\/a>, in: \u201cArt Inquiry \u2013 Recherches sur les arts\u201d (Avant-garde and avant-gardes), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume XIX (XXVIII), \u0141\u00f3d\u017a 2017, pp. 73 -87.<\/li>\n<li><em><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2019\/01\/Sidey-Myoo_Interactive-Art-in-the-Culture-of-Participation.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Interactive Art in the Culture of Participation (otwiera si\u0119 w nowej karcie)\">Interactive Art in the Culture of Participation<\/a><\/em>, w \u201eArt Inquiry \u2013 Recherches sur les arts\u201d (Participation and Art), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume XX (XXIX), \u0141\u00f3d\u017a 2018, pp. 203-216.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2019\/11\/Sidey-Myoo_Creative-Robots.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Creative Robots<\/em><\/a>, in: Nata\u0161a Jankovi\u0107, Bo\u0161ko Drobnjak and Marko Nikoli\u0107 (eds.), \u201cProceedings of the 21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media\u201d, University of Belgrad, Belgrad 2019, pp. 1145-1149.<\/li>\n<li><a href=\"http:\/\/czasopisma.ltn.lodz.pl\/index.php\/Art-Inquiry\/article\/view\/659\/595\"><em>Cognitive Values in New Media Art<\/em><\/a>, in: \u201cArt Inquiry &#8211; Recherches sur les arts\u201d (Why do we need the concept of <em>art<\/em>), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume XXI (XXX), \u0141\u00f3d\u017a 2019, pp. 99-109.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2025\/02\/Sidey-Myoo_Generating-of-a-form-streams-variations-and-complementations.-Computer-animation-by-Marcin-Pazera.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Generating of a form: streams, variations, and complementations. Computer animation by Marcin Pazera (opens in a new tab)\"><em> Computer animation by Marcin Pazera<\/em><\/a>, in: M. A. Raczek-Karcz (ed.), <em>Zanurzenie, naznaczenie, interpolacje<\/em>, Wydawnictwo Akademii Sztuk Pi\u0119knych w Krakowie, Krak\u00f3w 2019, pp. 78-83.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2021\/02\/Sidey-Myoo_The-Commonplace-of-Man-in-the-Times-of-Anthropomorphic-and-Intelligent-Robots-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em data-rich-text-format-boundary=\"true\">The Commonplace of Man in the Times of Anthropomorphic and Intelligent Robots<\/em><\/a>, in: \u201cArt Inquiry &#8211; Recherches sur les arts\u201d (Art Narratives &#8211; Narratives on Art ), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume XXII (XXXI), \u0141\u00f3d\u017a 2020, pp. 107-120.<\/li>\n<li><a href=\"http:\/\/journals.ltn.lodz.pl\/index.php\/Art-Inquiry\/article\/view\/1480\/1347\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Types of Interactivity Versus Performativity<\/em><\/a>, in: \u201cArt Inquiry \u2013 Recherches sur les arts\u201d (Art in the world of discourses), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume 23, \u0141\u00f3d\u017a 2021, pp. 75-88.<\/li>\n<li><em><a href=\"https:\/\/wnus.edu.pl\/aie\/en\/issue\/1216\/article\/19055\/\" data-rich-text-format-boundary=\"true\">The Academia Electronica \u2013 Vision, Experiment, Future<\/a><\/em>, in: \u201cAnaliza i Egzystencja\u201d, Instytut Filozofii i Kognitywistyki Uniwersytetu Szczeci\u0144skiego, nr 58 (2022), Szczecin 2022, pp. 111\u2013124.<\/li>\n<li><a href=\"https:\/\/www.pdcnet.org\/du\/content\/du_2022_0032_0002_0033_0043\">Sidey Myoo, Adrian Mr\u00f3z<\/a><em><a href=\"https:\/\/www.pdcnet.org\/du\/content\/du_2022_0032_0002_0033_0043\">, Concepts and Mechanisms of Negotiation Derived from Experiences in the Electronic Milieu<\/a><\/em>, in: \u201eDialogue and Universalism\u201d, Instytut Filozofii i Socjologii PAN, Volume 32, Issue 2, Warszawa 2022, pp. 33-43.<\/li>\n<li><a href=\"https:\/\/journals.ltn.lodz.pl\/index.php\/Art-Inquiry\/article\/view\/1818\/1630\" target=\"_blank\" rel=\"noopener noreferrer\"><em>VR ART<\/em><\/a>, in: \u201cArt Inquiry \u2013 Recherches sur les arts\u201d (Art: Integration and Dispersion), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume 24, \u0141\u00f3d\u017a 2022, pp. 73-85.<\/li>\n<li><em><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2023\/12\/Sidey-Myoo_Genetic-Criterion-of-Art-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Genetic Criterion for Art<\/a><\/em>, in: \u201eArt Inquiry \u2013 Recherches sur les arts\u201d (How do artists think?), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume 25, \u0141\u00f3d\u017a 2023, pp. 61-72.<\/li>\n<li><em><a href=\"https:\/\/cejsh.icm.edu.pl\/cejsh\/element\/bwmeta1.element.ojs-doi-10_15804_kie_2023_04_11\" target=\"_blank\" rel=\"noopener noreferrer\">Who Owns the Truth? \u2013 Review from the Festival of Arts, Science, and Society \u2013 Ars Electronica 2023<\/a><\/em>, in: \u201cKultura i Edukacja\u201d, Wydawnictwo Adam Marsza\u0142ek, 2023 No. 4 (142), pp. 171\u2013181<\/li>\n<li><em><a href=\"https:\/\/czasopisma.ltn.lodz.pl\/Art-Inquiry\/article\/view\/2520\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Sensory Art (opens in a new tab)\">Sensory Art<\/a>,<\/em> in: \u201eArt Inquiry \u2013 Recherches sur les arts\u201d (Art and culture in times of danger), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume 26, \u0141\u00f3d\u017a 2024, pp. 29-42.<\/li>\n<li><em><a href=\"https:\/\/czasopisma.ltn.lodz.pl\/Art-Inquiry\/article\/view\/3257\/2890\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Artistic Intervention for Ecology<\/a><\/em>, in: \u201eArt Inquiry \u2013 Recherches sur les arts\u201d (De-co\u00efncidence Art A Challenge or a Solution), \u0141\u00f3dzkie Towarzystwo Naukowe, Volume 27, \u0141\u00f3d\u017a 2025, pp. 409-422.<\/li>\n<li><em><a href=\"https:\/\/czasopisma.marszalek.com.pl\/uploads\/periodicals\/kie\/2025\/kie15013.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Panic yes\/no \u2013 Ars Electronica 2025<\/a><\/em>, in: \u201cKultura i Edukacja\u201d, Wydawnictwo Adam Marsza\u0142ek, 2025 No. 4 (150), s. 203\u2013215.<\/li>\n<li><a href=\"https:\/\/sideymyoo.art.pl\/wp-content\/uploads\/2026\/02\/Sidey-Myoo_Examination-Conducted-by-Artificial-Intelligence-Media-and-Material-Literacy-in-Extended-Reality.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Examination Conducted by Artificial Intelligence <\/em><\/a>(abstract), in: \u201c<a href=\"https:\/\/www.belasartes.ulisboa.pt\/en\/media-and-material-literacy-in-extended-reality-call-for-papers-workshops-and-artworks\/\" target=\"_blank\" rel=\"noopener noreferrer\">Media and Material Literacy in Extended Reality. International Interdisciplinary Conference on Education<\/a>\u201d (Book of Abstracts), Faculty of Fine Arts, University of Lisbon (FABUL), Lisbon\u00a02025, Horizon Europe \u2013 \u201cCommunities and Artistic Participation in Hybrid Environment (CAPHE), pp. 75-77.<\/li>\n<\/ol>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Mazur\u2019s theory of qualitative information on the ground of aesthetics, in: \u201eRuch Filozoficzny\u201d, t. LIV, nr 1, 1997. [pp. 57-64] Ingardens Concept of the Construction of the Work of Art on the Grounds of System Analysis, in: \u201eReports on Philosophy\u201d, nr 16-17, Uniwersytet Jagiello\u0144ski, Krak\u00f3w 1997, pp. 63-69. Application of Systems Theory in Aesthetics, w &hellip; <a href=\"https:\/\/sideymyoo.art.pl\/?page_id=348&#038;lang=en\" class=\"more-link\">Czytaj dalej <span class=\"screen-reader-text\">Bibliography<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-348","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=\/wp\/v2\/pages\/348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=348"}],"version-history":[{"count":79,"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=\/wp\/v2\/pages\/348\/revisions"}],"predecessor-version":[{"id":1404,"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=\/wp\/v2\/pages\/348\/revisions\/1404"}],"wp:attachment":[{"href":"https:\/\/sideymyoo.art.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}